seventh mouth in their face, through which they eat.
In the volumes of notes which will be published by the Smithsonian Institution as soon as the necessary engravings can be finished, will also appear all that I was able to learn concerning the natural history of that planet, under the strict limitation, to which I was subjected, of bringing to Earth nothing but what I could carry about my own person.[1]
I was, myself, particularly interested in investigating the Martial language, which differs entirely from our terrestrial tongues in not being articulate. Each of the six lateral mouths of these curious men is capable of sounding only one vowel, and of varying its musical pitch about five or six semitones. Thus, their six mouths give them a range of two and a half or three octaves. The right-hand lowest mouth is lowest in pitch, and gives a sound resembling the double o in moon; the next lowest in pitch is the lowest left-hand mouth, and its vowel is more like o in note. Thus they alternate, the highest left-hand mouth being highest in pitch, and uttering a sound resembling a long ee. The sound of each of the six is so individual, that, before I had been there six months, I could recognize, even in a stranger, the tones of each one of the six mouths. But they seldom use one mouth at a time. Their simplest ideas, such as the names of the most familiar objects, are expressed by brief melodic phrases, uttered by one mouth alone. Closely allied ideas are expressed by the same phrase uttered by a different mouth, and so with a different vowel-sound. But most ideas are complex; and these are expressed in the Mavortian speech by chords, or discords, produced by using two or more mouths at once. A few music types will illustrate this, by examples, better than any verbal description can do.
The signification of these chords is by no means arbitrary; but, on the contrary, their application is according to fixed rules and according to æsthetic principles; so that the highest poetry of these people becomes, in the very process of utterance, the finest music; while the utterance of base sentiments, or of fustian, becomes, by the very nature of the language, discordant, or at best vapid and unmelodious.
It will readily be imagined that I was a very long while in learning to understand a speech so entirely different in all its principles from our earthly tongues. And when I began to comprehend it, as spoken by my new friends, I was unable, having but one mouth, to express anything but the simplest ideas. However, I had Yankee ingenuity enough to supply in some measure my want of lateral mouths.
My captor daily allowed me more and more freedom, and at length permitted me to wander freely over the whole island, simply taking the precaution to send a boy with me as a companion and guide, in case I should lose my way. In one of these rambles I discovered a swamp of bamboos, and by the aid of my pocket-knife cut down several and carried them home. Then, with great difficulty and interminable labor, I managed to make a sort of small organ, a very rude affair, with
- ↑ The strangeness of my adventures will be so apt to breed incredulity among those unacquainted with my character, that I add some certificates from the highest names known to science.
"New York, June 13, 1865.—Three plants, submitted to me by Mr. George Snyder for examination, prove to be totally unlike any botanical family hitherto known or described in any books to which I have access.
"Robert Brown, Prof. Bott. Col., Coll. N. Y."
"New York, June 15, 1865.—Mr. George Snyder. Dear Sir: Your mineral gives, in the spectroscope, three elegant red bands and one blue band; and certainly contains a new metal hitherto unknown to chemistry.
"R. Bunsen, Prof. Chem., N. Y. Free Acad."
"Cambridge, Mass., June, 18, 1863.—Mr. George Snyder has placed in my hands three insects, belonging to three new families of Orthoptera, differing widely from all previously known.
"Kirby Spence, Assist. Ent., Mus. Comp. Zöol."
