was,—"I? O, I am nobody; not even an Academician." The picture is about eighteen by twenty-two inches, and belongs to his Majesty, George the Fourth. It represents two boys, a little child, a woman, and a dog. One boy has broken the strap of his trousers, and, bracing himself up for a clinch, is evidently encroaching on the other with his foot. He stands with his legs on the straddle, both fists made up for mischief, and head turned away in profile, with hat and books flung down upon the turf; while the other—the lamb—keeps his satchel in his hand, with one arm raised to parry the blow he is expecting. He has a meek, boyish face, and we have it in full. The back of the child is towards you, the mother terribly frightened; parts very fine, but as a whole the picture is not worthy of its reputation, to say nothing of the extravagant price paid for it,—some hundreds of guineas, they say.
Greenwich Fair.—Having read so much in story-books and novels, from my earliest childhood,—at one time in the gilt-covered publication of E. Newbury, St. Paul's Church Yard, and after that in larger books,—of the rioting at Greenwich Fair (another Donnybrook in its way), I determined to see for myself, and went down for the purpose, April 19th, 1824. Universal decorum characterized the whole proceedings till the day was over, after which there was a large amount of dancing and frolicking and sight-seeing and beer-drinking, but no drunkenness and no quarrelling. The people were saucy, but good-natured, like the Italian rabble, with their plaster confectionery, at a carnival. Women and girls would run down the long green slope together, which it is said the cockneys believe to be the highest land in the world, after Richmond Hill; and many of them stumble and slip and roll to the bottom, screaming and laughing as they go. This I understand to be a favorite pastime with people who are big enough to know better; for a part of the fun, and that which all seem to enjoy most, is in tripping one another up. Plenty of giants and dwarfs to be seen for a penny, with white Circassians, silver-haired, and actors of all sorts and sizes. "Walk in, ladies and gentlemen! walk in! Here's the rope-dancing and juggling, with lots of gilt gingerbread,—and all for sixpence! Here is the great Numidian lion!"—leading forth a creature not larger than a moderate-sized English mastiff,—"with a throat like a turnpike gate, and teeth like mile-stones, and every hair on his mane as big as a broomstick!" It was worth sixpence to see the fellow's face when he said this; but most of the people round me seemed to believe what they heard rather than what they saw. Actors and actresses turn out and dance and strut before the curtain.
Went into the Hospital, of which we have all heard so much, and into the Chapel. Here is the best picture West ever painted, I think. It is the shipwreck of St. Paul, with the viper and the fire: rocks rather crowded and confused; on the right are two figures, frequently, I had almost said always, to be found in his pictures, and always together. Old man on the right, capital!—Roof of the Hospital highly ornamented, though chaste, with painted pilasters, fluted; ceiling done by Sir James Thornhill, and is really a grand affair, not only for coloring and drawing, but for composition and general treatment. Architecture of the building, once a palace, worthy of the highest commendation, though it needs a back part to correspond with the two wings. Cupolas made to correspond, but seem rather out of place,—not wanted.
Had quite an adventure before I got away. I saw a young girl running down hill by herself. She fell, and stained her white frock all over one hip of a grass-green. She seemed to be much hurt and near fainting. I found her young, pretty, and modest, as you may readily infer from what follows,—usually if you hear of a woman being run over in the street, you may be sure
