ceeded from a sea-gull, peering out of a kind of pen formed by a wooden paling in one corner of a grass-grown patch, half cabbage-garden, half excavated earth and rock; and the mysterious opening of the door was explained by a connecting cord pulled by some unseen hand within a smaller house that stood near to the huge old mansion. From the house appeared, advancing towards us, the two bachelor brothers, who welcomed our friend and his three companions with grave Italian courtesy. Understanding the curiosity the four felt to see their premises, they did the honors of their place, with a minuteness as politely considerate towards the strangers as it was gratifying to the interest felt by them.
First the visitors were led by the bachelor brothers to see the huge old mansion, which they called the Palazzo. Let no one who has seen an ordinary Genoese palace, magnificent with gilding, enriched by priceless pictures, supplied with choice books, and adorned with gorgeous furniture, figure to himself any such combination in the palazzo in question. This was a vast pile of building, that would make five moderate-sized dwelling-houses, one in the roof, and the other four in the habitable portion of the edifice. A general air of ramshackledness pervaded the exterior, while the interior presented an effect of interminable ranges of white-washed walls, divided off into numberless apartments of various sizes, from a saloon on the piano nobile, or principal floor, measuring more than forty feet long, to small square attic rooms that were little more than cupboards. But this attic story was not all composed of chambers thus dimensioned. Among its apartments were rooms that might have accommodated a banqueting assemblage, had diners been so inclined; while among the accommodations comprised in this garret range was a kitchen, with spacious dressers, stoves, closets, and a well of water some hundred and odd feet deep. It was impossible for the imagination to refrain from picturing the troops of ghosts which doubtless occupied these upper chambers of the old palazzo, and held nightly vigil, undisturbed, amid the silence and solitude of their neglected spaces. Through one of the dwarf windows that pierced at intervals all sides of the mansion, just beneath the lofty roof, and which gave light to the attic story, we were directed to look by the emphatic words of the elder bachelor brother,—"Ma, veda che vista c' è!"
The view thence was indeed well worthy his praise; and he himself formed an appropriate companion-picture to the scene. Bluish-gray eyes, a fairer complexion than usually belongs to men of his clime and country, a look of penetration, combined with an expression of quiet content, were surmounted by a steeple-crowned hat that might have become a Dutch burgomaster, or one of Teniers's land-proprietors, rather than a denizen of a southern city. Yet the association which his face, figure, and costume had with some of George Cruikshank's illustrations of German tales afforded pictorial harmony with the range of ghostly rooms we were viewing. He "marshalled us the way that we should go," by leading us down a steep flight of steps, which landed us on the piano nobile. This, for the present, was tenanted by a set of weavers, to whom the principal floor of the palazzo had been let for a short term. They had proved but turbulent occupants, being in a constant state of refractoriness against their landlords, the bachelor brothers, who seemed to be somewhat in awe of them. On the present occasion, for instance, the brothers apologized for being unable to show us the grand saloon, as the weavers (whom we could hear, while he spoke, singing in a loud, uproarious, insurgent kind of way, that might well have drawn three souls out of one of their own craft, and evidently made the souls of their two landlords quail) did not like to be disturbed.
Their contumacious voices, mingled with the clamor of their looms, died off in the distance, while we proceeded down
