those points of shadow that throw the fact into prominence. It has been said that pain, remembered, is delight. This is true only of physical pain. Mental agony ever remains agony; for it is the body that perishes and the affections of the body. Still, with most men the past is an illuminated region, forever throwing the present into the shade. In the Zend Avesta, a farsang is defined to be the space within which a long-sighted man can see a camel and distinguish whether it be white or black; but the milestones of the memory are even less arbitrary than this: no matter how far the glance flies, in those distances every man's camel is white. Thus the backward view is ever of
"Summits soft and fair,
Clad in colors of the air,
Which to those who journey near
Barren, brown, and rough appear."
The maidens of to-day are not so beautiful as the maidens were when our young senses could drink in their beauty; the St. Michael pears have died out; the blight has got possession of the roses. When we married, a white one climbed up the house-side and thrust its snowy sprays in at the casement of the wedding-chamber. Find us such climbers now! A young girl once on the beach, watching her father's ship slip away on the wind, had her glance caught by a sparkle in the sand; and there lay a treasure at her feet, a heap of crimson crystals, a mine of jewels. What wealth! What possibilities! No more going to sea! No more watching ships out of sight! She gathered a double-handful of the splendid cubes as earnest, and ran back to the house with them. Such assurance having been displayed, there was no hesitation. The man-servant followed her swift guidance to the shore again, with shovel and sack and a train of the whole household,—but the tide had come in, and the place was not there. Day after day was search made for that mass of garnets, but always in vain. It was one of those deposits that Hugh Miller somewhere speaks of, as disclosed by one tide and hidden by another. But all her life long, though she wore jewels and scattered gold, no gem rivalled the blood-red lustre of that sudden sparkle in the sands; and no wealth equalled the fabulous dreams that were born of it. It was to her as precious and irreparable as to the poet the Lost Bower.
"I affirm that since I lost it
Never bower has seemed so fair;
Never garden-creeper crossed it,
With so deft and brave an air;
Never bird sang in the summer, as I saw and heard them there."
This light of other days is unfailingly, by its owners, carried over to every child they meet. As if the caterpillar were in better estate than the butterfly, each boy is seeing his best days. Yet there is not a child in the world but is pursued by cares. His desk-mate's marbles oppress him more than will forcemeat-balls and turtle-soup when he becomes an alderman; there are lessons to learn, terrible threats of telling the teacher to brave, and many a smart to suffer. Childhood is beautiful in truth, but not therefore blest,—that is, for the little bodiless cherubs of the canvas. It was one of Origen's fancies that the coats of skins given to Adam and Eve on their expulsion from Paradise were their corporeal textures, and that in Eden they had neither flesh nor blood, bones nor nerves. The opening soul, that puts back petal after petal till the fructifying heart of it is bare to all the sweet influences of the universe, is something lovely for older eyes to see,—perhaps no lovelier than the lawful development of later lives to larger eyes than ours,—perhaps no lovelier than that we are to undergo. The first moment when the force of beauty strikes a child's perceptions would be an ineffable one, if he had anything to compare it with or measure it by; but as it is, even though it pierce him through and through with rapture, he is not aware of that rapture till after-years reproduce it for him and sweeten the sensation with full knowledge. The child is so dear to the parents, because it is their own beings bound to-
