magic material. "In spinning and weaving," says he, "the ideal that we pursue is the hair of a woman. How far are the softest wools, the finest cottons, from reaching it! At what an enormous distance from this hair all our progress leaves us, and will forever leave us! We drag behind and watch with envy this supreme perfection that every day Nature realizes in her play. This hair, fine, strong, resistant, vibrant in light sonority, and, with all that, soft, warm, luminous, and electric,—it is the flower of the human flower. There are idle disputes concerning the merit of its color. What matter? The lustrous black contains and promises the flame. The blond displays it with the splendors of the Fleece of Gold. The brown, chatoyant in the sun, appropriates the sun itself, mingles it with its mirages, floats, undulates, varies ceaselessly in its brook-like reflections, by moments smiles in the light or glooms in the shade, deceives always, and, whatever you say of it, gives you the lie charmingly.—The chief effort of human industry has combined all methods in order to exalt cotton. Rare accord of capital, machinery, arts of design, and finally chemical science, has produced those beautiful results to which England herself renders homage in buying them. Alas! all that cannot disguise the original poverty of the ungrateful tissue which has been so much adorned. If woman, who clothes herself with it in vanity, and believes herself more beautiful because of it, would but let her hair fall and unroll its waves over the indigent richness of our most brilliant cloths, what must become of them! how humiliated would the vestment be!—It is necessary to confess that one thing alone sustains itself beside a woman's hair. A single fabricator can strive there. This fabricator is an insect,—the modest silkworm."
"A particular charm surrounds the works in silk," our author then goes on to say. "It ennobles all about it. In traversing our rudest districts, the valleys of the Ardèche, where all is rock, where the mulberry, the chestnut, seem to dispense with earth, to live on air and flint, where low houses of unmortared stone sadden the eyes with their gray tint, everywhere I saw at the door, under a kind of arcade, two or three charming girls, with brown skin, with white teeth, who smiled at the passer-by and spun gold. The passer-by, whirled on by the coach, said to them under his breath: 'What a pity, innocent fays, that this gold may not be for you! Instead of disguising it with a useless color, instead of disfiguring it by art, what would it not gain by remaining itself and upon these beautiful spinners! How much better than any grand dames would this royal tissue become yourselves!'"
Perhaps it was the dowry of one of these very maidens that Belinda wears; and all this would only go to show that to every meanest thing the past can lend a halo. When one person showed another the "entire costume of a Nubian woman, purchased as she wore it,"—a necklace of red beads, and two brass ear-rings simply, hanging on a nail,—how it brought up the whole scene, the wondrous ruins, the Nile, the lotos, and the palm-branch, the splendid sky soaring over all, the bronze-skinned creature shining in the sun! What a past the little glass bits had at their command, and what a more magnificent past hung yet behind them! Who would value a diamond, the product of any laboratory, were such a possibility, so much as that one which, by its own unknown and inscrutable process, defying philosopher and jeweller, has imprisoned the sunshine that moss or leaf or flower sucked in, ages since, and set its crystals in the darkness of the earth,—a drop of dew eternalized? What tree of swift and sudden springing, that grows like a gourd in the night to never so stately a height, could equal in our eyes the gnarled and may be stunted trunk that has thrown the flickering shadows of its leaves over the dying pillows alike of
