wise in council, who every day feasted in their hall more hundreds than thou canst number individual followers; whose names have been sung by minstrels, and their laws recorded by Wittenagemotes; whose bones were interred amid the prayers of saints, and over whose tombs minsters have been builded." There can be no doubt that Saxons as far-descended as Scott represents Athelstane to have been were treated worse than he, and that Saxon ladies of the highest birth and greatest wealth experienced the fate of the conquered in much severer measure than it became known to Rowena. Scott has been accused of exaggerating the effects of the Conquest, but his glowing picture is by no means overcharged, if we look at the effect of that change on the higher classes of the vanquished people. The Saxons were very wealthy, and the invaders obtained an amount of spoil that astonished them, the accounts of which remind the reader of what was told of the extraordinary acquisitions made by the ruffians who formed the force of Pizarro in Peru. Years after the day of Hastings, we are told, William "bore back with him, to his eager and hungry country, the plunder of England, which was so varied in kind, so prodigious in amount, that the awe-stricken chroniclers maintain that all the Gauls, if ransacked from end to end, would have failed to supply treasures worthy to be compared with it. The silver, the gold, the vases, vestments, and crucifixes crested with jewels, the silken garments for men and women, the rings, necklaces, bracelets, wrought delicately in gold and resplendent in gems, inspired the Continental barbarians with rapture, and in their imaginations made England appear the Dorado of those times." One of the writers of that day states that "incredible treasures in gold and silver were sent from the plunder of England to the Pope, together with costly ornaments, which would have been held in the highest estimation even at Byzantium, then universally regarded as the most opulent city in the world." All this implies that the Saxon aristocracy were very rich, and it is far from unlikely that it was the desire to preserve their property that led them to offer so little resistance to William,—a fatally mistaken course, for the invading adventurers had entered England in search of other men's property, and were not to be kept quiet by the quietness of the owners thereof. The aristocracy alone could afford such plunder as that described, and that so much of it was obtained shows how extensive must have been the spoliation, and how thoroughly Saxon nobles were stripped of their possessions by the low-born ragamuffins who were induced by William's recruiting sergeants to enlist under his black banner.
THE NOVELS OF GEORGE ELIOT.
The critic's first duty in the presence of an author's collective works is to seek out some key to his method, some utterance of his literary convictions, some indication of his ruling theory. The amount of labor involved in an inquiry of this kind will depend very much upon the author. In some cases the critic will find express declarations; in other cases he will have to content himself with conscientious inductions. In a writer so fond of digressions as George Eliot, he has reason to expect that broad evidences of artistic faith will not be wanting. He finds in "Adam Bede" the following passage:—
"Paint us an angel if you can, with a floating violet robe and a face paled
