come back to visit him in his old age. It is a birthday treat to them already to take the key from my split-ring, and look together over the half-forgotten things. But there is one thing there—a manuscript on the topmost shelf—which they do not know about, but which we take out and laugh over sometimes when they are all in bed,—a record that I have kept of all the most diverting things which we have heard them say, ever since they began to learn to talk." She checked herself,—I fancied because she remembered that, in her enthusiasm about the children, she had forgotten to what a new acquaintance she was speaking. She rose to take leave, and resumed, shaking hands with me cordially,—she had, I observed, a remarkably cordial and pleasant, earnest way of shaking hands,—"But upon the subject of my museum, Miss Morne, I need hardly beg you to be more discreet than I, and not to mention a domestic trifle of so little general interest."
I could only bow, but longed, as I attended her to the door, to assure her of the particular interest which I had already begun to feel in every trifle which belonged to her.
Her little barouche, and long-tailed, dark-gray ponies, vanished with her down the road; and I was left walking up and down the room. The "kind o' poor-lookin', pale-lookin', queer-lookin' lady," that Miss Mehitable had described,—was this she? How are we ever to know people by descriptions, when the same person produces one impression on one mind and quite another on another,—nay, may have one set of inherent qualities brought out by contact with one character, and quite another set by contact with another character? Have I described Miss Dudley? No,—and I cannot. She was both unique and indescribable.
Most people impress us more, perhaps, by their outward and physical, than by their inward and psychical life. On a first interview with them, especially, we receive an impression of clothes, good or otherwise, of beauty or plainness or ugliness of feature, and of correctness or uncouthness of manner. These are the common people, whether ladies and gentlemen, or simple men and women. There are, however, others, in all ranks and conditions, so instinct and replete with spirit, that we chiefly feel, when they have come in our way, that a spirit has passed by,—that a new life has been brought in contact with our own life.
Of these was Miss Dudley. But because, ever since the day I write of, I have loved to think of her, and because I know that, when I rejoin her, I shall leave some behind me who will still love, and have a right to hear of her, I will indulge myself in saying something more. That something shall be what I said to myself then, as I promenaded to and fro,—that bodily exercise was one of my safety-valves in those times,—in the endeavor to work off so much of my superfluous animation as to be in a state to sit down and paint again; and thus I spake: "I must have had before me an uncommonly fine specimen of a class whose existence I have conjectured before, but by no means including all the wealthy, who wear their purple and fine linen both gracefully and graciously, fare not more sumptuously than temperately every day, and do a great deal, not only directly by their ready beneficence, but indirectly by their sunny benignity, to light up the gloomy world of Lazarus." And though I was but a budding theorist in human nature, and often made mistakes before and afterwards, I never found myself mistaken there.
When Julia came in an hour after, she said to me, as I looked up from my roses and my rose-colored revery, "Katy, you look like an inspired sibyl! What has come over you?"
"Miss Dudley," said I.
"What! has she really—been here? How I wish I had seen her! What did she wear?"
"I'm afraid I can't tell you. Wait, I will try. O yes! it comes back to me;—a silver-gray shot poplin, or silk,
