endowed perhaps with the same powers of destruction and only lacking the ampler sphere, is buried under the gallows. The equestrian statue of William in the public place at Falaise prances, it has been remarked, close to the spot where rest the ashes of Walter and Biona, Count and Countess of Pontoise, poisoned, if contemporary accounts are true, by the same ambition which launched havoc and misery on a whole nation. They and the Conqueror were rival claimants to the sovereignty of Maine. They supped with the Conqueror one evening at Falaise, and next morning William was the sole claimant. The Norman, like the Corsican, was an assassin as well as a conqueror.
I must leave it to architects to describe the architectural glories of Caen. But I had no idea that the Norman style, in England grand only from its massiveness, could soar to such a height of beauty as it has attained in the Church of St. Stephen and the Abbaye aux Dames. I afterwards did homage again to its powers when standing before the august ruin of Jumièges. There is something peculiarly delightful in the freshness of early art, whether Greek or mediæval, and whether in architecture or in poetry,—when you see the mind first beginning to feel its power over the material, and to make it the vehicle of thought. There is something, too, in all human works, which makes the early hope more charming than the fulfilment.
St. Stephen is the church of the Conqueror, as the Abbaye aux Dames is that of his Queen. There he lies buried. Every one knows the story of Ascelin demanding the price of the ground in which William was going to be buried, and which the tyrant had taken from him by force; and how, at last, the corpse of the Conqueror was thrust, amidst a scene of horror and loathing, into its grave. But Rex Invictissimus is the inscription on his tomb.
The spire of St. Pierre is very graceful; the body of the church, in the latest and most debased style of Gothic architecture, stands signally contrasted with St. Stephen,—St. Stephen the simple vigor of the prime, St. Pierre the florid weakness of the decay.
Caen is a large city, and, of course, full of soldiers, who are as completely the dominant caste in France now, as the old noblesse were before the Revolution. To this the French have come after their long train of sanguinary revolutions,—after all their visions of a perfect social state,—after all their promises of a new era of happiness to mankind. "A light and cruel people," Coleridge calls them. And how lightly they turned from regenerating to pillaging and oppressing the world! They have great intellectual gifts, and still greater social graces; but, in the political sphere, they have no real regard for freedom, and will gladly lay their liberties at the feet of any master who will enable them to domineer over other nations. Napoleon I. is more than their hero: he is their God. Many of them, the soldiery especially, have no other object of worship. I saw in a shop-window a print of Napoleon I., Napoleon II., and the Prince Imperial, all in military uniform and surrounded by the emblems of war. It was entitled, "The Past, the Present, and the Future of France." Military ambition has been the Past of France, is her Present, and seems too likely to be her Future. In some directions, she has promoted civilization; but, politically speaking, she has done, and probably will long continue to do, more harm than good to mankind.
I may say with truth, that, having seen America, and brought away an assured faith in human liberty and progress, I looked with far more serenity than I should otherwise have done on the Zouaves, swaggering, in the insolence of triumphant force, over the neglected ashes of Turgot and Mirabeau. I felt as though, strong as the yoke of these janizaries and their master looked, I had the death-warrant of imperialism in my pocket. There is a Power which made the world for other ends than these, and which will not suffer its ends
