Page:The Atlantic Monthly Volume 1.djvu/329

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1858.]
Agassiz's Natural History.
321

vigor, which is that of ambition,—to use the phrase of another great observer,—by a man of large endowments and of vast knowledge, assisted by skilful collaborators, by finished artists, by the counsels and liberality of the learned few, and the generous countenance of the intelligent many. Before analysis, before criticism, there should be uttered a welcome; not grudging, not envious of an overshadowing reputation, not over-curious in searching for qualifications to abate its warmth, not carefully taming down its enthusiasm to tepid formalisms; but full-souled and free-spoken, such as all noble works and deeds should claim.

The learned men of past centuries have left us an example of this treatment of authors, in those gratulatory verses with which they were wont to hail every considerable literary or scientific performance. They knew human nature well. They knew that the author, when he quenches the lamp over which he has grown haggard and pale, and steps from his cell into daylight and the chill outside air, longs, longs unutterably, for kind words, and the cheering fellowship of kindred souls; and with instinctive grace they chose the poetical form of expression, simply because this alone gives full license to the lips of friendship.

This old folio which stands by us is not precious only because it contains the quaint wisdom and manifold experience of Ambroise Paré, mingled with his credulous gossip, and again sweetened by his simple reverence; not precious alone because it contains the noblest words ever uttered by one of his profession,—Ie le pensay et Dieu le guarit; but also because Pierre Ronsard, the "Poet of France," has left his deathless name thrice inscribed in its earlier pages at the foot of tributes to its author.

And here in the next century comes Schenck of Grafenberg, staggering under his monstrous volume of "Casus Rariores,"—ready to fall fainting by the wayside, when lo! the shining ones meet him too, and lift him and lighten him with the utterance of these fifty-one distinct poems which we see hung up on so many votive tablets at the entrance of this miniature Babel of Science.

Even so late as the last century the genial custom survived; for our worthy Stalpart van der Wiel, whose little pair of volumes was published in 1727, can boast of twenty-two pages of well-ordered commendatory verse, much of it in his native Dutch,—a little of which goes a good way with all except Batavian readers.

But as the "Arundines Cami," musical as they are, have lent no prelude to these harmonies of science, we must say in a few plain words of prose our own first thought as to the work the commencement of which lies before us. We believe, that, if completed according to its promise, it is to be one of the monumental labors of our century. Comparisons are not to be lightly instituted, and especially under circumstances that do not allow a fair survey of the whole field from which the objects to be compared are to be taken. We suppose, however, it will be conceded that the sunset continent has never witnessed anything like the inception of this mighty task in the way of systematic natural science. And if, since Cuvier, the greatest of naturalists, as Mr. Agassiz considers him, slept with the fossils to which he had given life, there has been any other student of Nature who has attempted a task so immense, with the same union of observing, reflecting, analyzing, and coördinating power, we cannot name him. Our civilization has a right to be proud of such an accession to its thinking and laboring constituency; it is also bound to be grateful for it, and to express its gratitude.

It is just one hundred years since another Swiss, the magnificent Albert von Haller, gave to the world the first volume of the "Elementa Physiologiæ Corporis Humani." Nine years afterwards, in 1766, the last of the eight volumes appeared; and the vast structure, which embodied his untiring study of Nature, his world-wide erudition, his deepest thought, his highest imaginings,