said good-bye. She was married to George Tucker, and, with the prospect of a crippled husband for life, was perfectly happy; too happy not to laugh, when, the day after their wedding, sitting on the door-sill of the old Westbury homestead, with George and Long Snapps, George said, "Would you ever have come to take care of me, Sally, if I'd 'a' been shot on the side of the reg'lars?"
Sally looked at him, and then looked away.
"I 'xpect she'd 'a' done her dooty," said Long Snapps dryly; and Sally laughed.
THE MANCHESTER EXHIBITION.
In a number of the "Illustrated News," not long since, there was what professed to be a view of Manchester. It represented a thousand tall factory-chimneys rising out of a gray mist, and surmounted by a heavy, drifting cloud of smoke. And in truth a view not very different from this was presented to any one who, standing at the entrance of the Palace of the Exhibition of Art Treasures, turned and looked back before going within. Two miles off lies the body of the great workshop-city, already stretching its begrimed arms in the direction of the Exhibition. The vast flat expanse of brick walls, diversified by countless chimney and occasional steeples, now and then interrupted by the insertion of a low shed or an enormous warehouse, offers no single object upon which the eye or the imagination can rest with pleasure. Such a view was never to be seen in the world before this century; a city built merely by trade, built for the home of labor, of machines, and of engines, and for the dwelling-place (one cannot call it the home) of crowds of human beings, whose value is, for the most part, estimated according to the development of their machine-like qualities. Beauty is not consulted here. In those places in or near the city, where Nature, reluctant to be driven utterly away, still tries to keep a foothold, she is parched and scorched by the feverish breath of forges and furnaces. Standing here, one may see the cloud of smoke, which waves in the wind like a pall over the city, slowly moving and settling down upon the land. One may almost hear the roar of the continual fires, the throb of the engines, the heavy beat of the trip-hammers, and the rattle of the spindles, by which the work of the world is done; and their noises, blended by the distance into one monotonous sound, seem like the voice of the restless, hard-working, unsettled spirit of gain. Manchester is built and is worked for profit, not for pleasure; beauty is driven away from her as a thing at variance with practical life; and even the sky above her and the fields around her yield only at rare moments and for short seasons those precious and gracious shows of beauty which are the free and blessed gift of love to all the world. Smoke, steam, coal-dust, blackened walls, and bare fields lie outside the Exhibition; and now let us go within.
The world could show no sharper and more affecting contrast. Outside, all suggests the competitions and struggles of trade, the crowded street, the bustle of the exchange, the cold and dry elements of purely unimaginative life. Inside, all suggests the quietness and composure of solitary and delightful labor, the silence of the studio, the resort to nature, and the frequenting of the springs of poetry. From the present, one is suddenly transferred to the past; from the near, to the remote. In place of the blank, black factory wall, there is the low wall of
