PREFACE
The origin of "Paste" is rather more expressible, since it was to consist but of the ingenious thought of transposing the terms of one of Guy de Maupassant's admirable contes. In "La Parure" a poor young woman, under "social" stress, the need of making an appearance on an important occasion, borrows from an old school friend, now much richer than herself, a pearl necklace which she has the appalling misfortune to lose by some mischance never afterwards cleared up. Her life and her pride, as well as her husband's with them, become subject, from the hour of the awful accident, to the redemption of their debt; which, effort by effort, sacrifice by sacrifice, franc by franc, with specious pretexts, excuses, a rage of desperate explanation of their failure to restore the missing object, they finally obliterate all to find that their whole consciousness and life have been convulsed and deformed in vain, that the pearls were but highly artful "imitation" and that their passionate penance has ruined them for nothing. It seemed harmless sport simply to turn that situation round—to shift, in other words, the ground of the horrid mistake, making this a matter not of a false treasure supposed to be true and precious, but of a real treasure supposed to be false and hollow: though a new little "drama," a new setting for my pearls—and as different as possible from the other—had of course withal to be found.
"Europe," which is of 1899, when it appeared in Scribner's Magazine, conspicuously fails, on the other hand, to disown its parentage; so distinct has its "genesis" remained to me. I had preserved for long years an impression of an early time, a visit, in a sedate American city—for there were such cities then—to an ancient lady whose talk, whose allusions and relics and spoils and mementoes and credentials, so to call them, bore upon a triumphant sojourn in Europe, long years before, in the hey-day of the high
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