Page:The Author of Beltraffio, The Middle Years, Greville Fane, and Other Tales (London, Macmillan & Co., 1922).djvu/372

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FORDHAM CASTLE

certain at least that she presented herself solidly, being a large mild smooth person with a distinct double chin, with grey hair arranged in small flat regular circles, figures of a geometrical perfection; with diamond earrings, with a long-handled eye-glass, with an accumulation of years and of weight and presence, in fine, beyond what his own rather melancholy consciousness acknowledged. He was forty-five, and it took every year of his life, took all he hadn't done with them, to account for his present situation—since you couldn't be, conclusively, of so little use, of so scant an application, to any mortal career, above all to your own, unless you had been given up and cast aside after a long succession of experiments tried with you. But the American lady with the mathematical hair which reminded him in a manner of the old-fashioned "work," the weeping willows and mortuary urns represented by the little glazed-over flaxen or auburn or sable or silvered convolutions and tendrils, the capillary flowers, that he had admired in the days of his innocence—the American lady had probably seen her half-century; all the more that before luncheon was done she had begun to strike him as having, like himself, slipped slowly down over its stretched and shiny surface, an expanse as insecure to fumbling feet as a great cold curved ice-field, into the comparatively warm hollow of resignation and obscurity. She gave him from the first—and he was afterwards to see why—an attaching impression of being, like himself, in exile, and of having like himself learned to butter her bread with a certain acceptance of fate. The only thing that puzzled him on this head was that to parallel his own case she would have had openly to consent to be shelved; which made the difficulty, here, that that was exactly what, as between wife and husband, remained unthinkable on the part of the wife. The necessity for the shelving

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