Page:The Author of Beltraffio, The Middle Years, Greville Fane, and Other Tales (London, Macmillan & Co., 1922).djvu/391

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FORDHAM CASTLE

them was that if Mattie had a quarrel with her name her most workable idea would be to get some body to give her a better. That, he easily made out, was fundamentally what she was after, and, though, delicately and discreetly, as he felt, he didn't reduce Mrs. Vanderplank to so stating the case, he finally found himself believing in Miss Magaw with just as few reserves as those with which he believed in Sue. If it was a question of her "shining" she would indubitably shine; she was evidently, like the wife by whom he had been, in the early time, too provincially, too primitively accepted, of the great radiating substance, and there were times, here at Madame Massin's, while he strolled to and fro and smoked, when Mrs. Taker's distant lustre fairly peeped at him over the opposite mountain-tops, fringing their silhouettes as with the little hard bright rim of a coming day. It was clear that Mattie's mother couldn't be expected not to want to see her married; the shade of doubt bore only on the stage of the business at which Mrs. Magaw might safely be let out of the box. Was she to emerge abruptly as Mrs. Magaw?—or was the lid simply to be tipped back so that, for a good look, she might sit up a little straighter? She had got news at any rate, he inferred, which suggested to her that the term of her suppression was in sight; and she even let it out to him that, yes, certainly, for Mattie to be ready for her—and she did look as if she were going to be ready—she must be right down sure. They had had further lights by this time moreover, lights much more vivid always in Mattie's bulletins than in Sue's; which latter, as Abel insistently imaged it, were really each time, on Mrs. Taker's part, as limited as a peep into a death-chamber. The death-chamber was Madame Massin's terrace; and—he completed the image—how could Sue not want to know how things were looking for

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