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tray, and they ate and drank and made merry awhile. Presently, Alaeddin besought her to let him hear some music; so she took the lute and played a measure, that would have made the very rock dance for delight, and the strings cried out, in ecstasy, ‘O Loving One!’[1] after which she passed into a livelier measure. As they were thus passing the time in mirth and delight, there came a knocking at the door and Zubeideh said to Alaeddin, ‘Go and see who is at the door.’ So he went down and finding four dervishes standing without, said to them, ‘What do you want?’ ‘O my lord,’ answered they, ‘we are foreign dervishes, the food of whose souls is music and dainty verse, and we would fain take our pleasure with thee this night. On the morrow we will go our way, and with God the Most High be thy reward; for we adore music and there is not one of us but hath store of odes and songs and ballads.’ ‘I must consult [my wife],’ answered he and returned and told Zubeideh, who said, ‘Open the door to them.’ So he went down again and bringing them up, made them sit down and welcomed them. Then he brought them food, but they would not eat and said, ‘O my lord, our victual is to magnify God with our hearts and hear music with our ears: and God bless him who saith:
We come for your company only, and not for your feasts; For eating for eating’s sake is nought but a fashion of beasts.
Just now,’ added they, ‘we heard pleasant music here; but when we knocked, it ceased; and we would fain know whether the player was a slave-girl, white of black, or a lady.’ ‘It was this my wife,’ answered he and told them all that had befallen him, adding, ‘My father-in-law hath bound me to pay a dowry of ten thousand dinars for her
- ↑ One of the names of God (Breslau. The two other editions have it, “O David!”). It is the custom of the Arabs, as will appear in others of these tales, to represent inarticulate music (such as that of birds and instruments) as celebrating the praises of God.
