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collection, are, as I have before observed, an independent work and are so treated by the Editor of the (unfinished) Calcutta edition of 1814–18, who inserts them at the end of his two hundredth (and last) night, dividing them, not into nights, but into seven tales or voyages, as in Galland’s MS. Some Oriental scholars are of opinion that this tale is of Persian extraction and describes the voyages (attributed, as is often the case in popular tales, to a single person) of a colony of Persians, who are known to have of old settled on the East Coast of Africa, to Ceylon, Sumatra and other islands of the Indian Sea; but, whatever may have been the primitive derivation of the incidents described in the work known to us as the Voyages of Sindbad, it appears almost certain that it was suggested by and mainly composed of extracts and adaptations from the writings of well-known Arab geographers and cosmographers, such as El Edrisi, El Cazwini and Ibn el Werdi, who flourished respectively in the 12th, 13th and 14th centuries, and it may, therefore, in all likelihood, be attributed to an Arab author of (at earliest) the beginning of the fifteenth century. The History of King Omar ben Ennuman and his sons Sherkan and Zoulmekan, with the exception of the interpolated story of Taj el Mulouk and that (probably Egyptian) of Aziz and Azizeh, may probably be attributed
(pellet-bows) “arquebuses,” thus showing that he considered the two meanings synonymous. The verse in which the words occur runs thus (the poet is speaking of the military skill of his hero), “The great mangonels in his hand attain minute objects (i.e. marks) such as baffle the pellet-bows.”
