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One of the latter, Abou Nuwas ibn Hani, is a curious figure in the history of literature. A debauchee of the most debased and sensual order, he, nevertheless, in addition to his undoubtedly high poetical genius, too often prostituted to the vilest purposes, seems to have been remarkably free from the servility that generally distinguishes the courtly poet and to have cherished a rude but real love of independence and a sense of the beauties of freedom which led him to prefer the rough licence of the wine-shop and the pleasure-garden to all the luxurious allurements of the Court; and we find the Khalif, who set on his society a value equivalent to the difficulty he found in procuring it, often reduced to all sorts of expedients to drag him from his favourite haunts. Like the great anacreontic poet of early mediæval China, Li-tai-pé (with whom he was nearly contemporary),[1] the messengers of his royal master were frequently compelled to force him from the taverns, where he revelled with his low associates, for the purpose of amusing the Khalif in his fits of depression or of advising him upon state and general matters; and long before Walter de Mapes or Hafiz, he declared his intention of ending his days in the exclusive worship of the divinities of wine and pleasure, rhyming in Arabian verse his version of “Mihi est propositum in tabernâ mori.” Nor in this avowed devotion to the forbidden delights of conviviality was he alone among the denizens of the court of the Khalifs. Baghdad, in the reign of Er Reshid, seems to have been preeminently
- ↑ He was born in A.D. 753, ten years before Li-tai-pé’s death. Some accounts, however, date his birth nine years later.
