J^3o Later Essayists as a whole, we are soon aware that they leave something to be desired, and that we must have recourse to European essays for the supplying of this want. As our fiction has refused to portray life with full verity, to dissect with searching candour the hidden motives in individual life, so, too, have our essay writers abstained from the subtle workings of the mind in the field of personal emotions and desires. There is, however, a distinction to be made when we seek to explain these limitations in American fiction and American essays. In the first case is preponderantly involved the purpose of popular appeal along the lines of least resistance, with financial success as the writ- er's reward. In the second case, the purpose of educating the mind of a nation not yet ready to appreciate art in all its ramifications, has, whether directly or unconsciously, led our essayists to refrain from themes which Continental writers have made luminous to peoples inheriting the Renaissance rather than the Puritan traditions. The group of essayists that we are leaving may indeed have theoretically subscribed to the French dictum that style is the man, yet they wrote, rather, under the propulsion of the idea that mankind is more than style.
