6i6 Non-English Writings II and symbolic ritual. Explanation and narration of the story, necessary for the carrjring out of these rites, took place only before the novitiates. When the rites themselves were made public, the story on which they were strung was sketchily the common possession. In the kiva or earth-lodge, in whatever sacred privacy they were rehearsed, the story was a solemn narrative, developed by repetition to explicit form. Beginning as informal prose, such a narrative tended to become more and more rhythmic, until it made a matrix within which the Ijoic and symbolic elements were enclosed. Tribal ceremonies in all stages of this logical development can be found among the American tribes, well on their way to becoming epic and drama. In the descriptive and explanatory matter of Frances Dins- more's Sun Dance, and in the prose intervals of the Hako Ritual as recorded by Alice Fletcher, one sees this process going on; and, incidentally, for the student of drama there is much light thrown on the office and evolution of the Greek chorus. For not the least advantage of the study of our own aboriginal literature is the place it fills in the evolution of form. Amerind prose, and prose becoming poetized by growing important, has the first consideration, because this is the nearest point of contact. The earliest forms as well as the preponderant forms are aU well within our own definition of poetry. That is to say, they have definite, repetitive rhythm pattern. They have sonority, assonance, and in some instances even allitera- tion and rhyme. Over and above the quality of rememberability which every aboriginal composition was obliged to have, the instinctive choice of poetry as a medium of intimate expression had to do with the Indian's religion. He began by being convinced of unity and continuity of life. Earth, ant-heap, beast, and stone were permeated with the same Essence which was in himself, for which we may adopt the ethnologist's term Wakonda. To put himself in touch with the Wakonda of whatever item of creation held his interest of the moment, was the serious business of the Indian's days. He thought of the animals as nearer to the Cause of Causes than men were, and of the forces of nature as still nearer, being so much more mysterious. At all times and continuously he thought of the necessity of keep- ing himself in harmony with these.
