770 Bibliographies Klein wrote also: Psychology of the Drama, The Reader, Mar., i906;Relig- ion, Philosophy and the Drama.TheArena, May, 1907 ; What the Playwright Is Up Against, Saturday Evening Post (Philadelphia), 25 Jan., 1913. MacKaye, Percy. Plays: *A Garland to Sylvia. 1896. Published 1910. ♦Cat- Boat. (Written 1904). *Fenris, the Wolf. Published 1905. *Jeanne d'Arc. Lyric Theatre, Philadelphia, 15 Oct., 1906 (Sothern and Marlowe). Pub- lished 1906. *Sappho and Phaon. Opera House, Providence, R. I., 14 Oct., 1907 (Bertha Kalich). Published 1907. *Mater. Van Ness Theatre, San Francisco, 3 Aug., 1908 (Isabel Irving). Published 1908. *The Canterbury Pilgrims. Park Extension, Savannah, Ga., 30 Apr., 1909. Published 1903.
- Anti-Matrimony. Ann Arbor, Mich., Theatre, 10 Mar., 1910 (Henrietta
Grossman). Published 19 10. *The Scarecrow. The Middlesex, Middletown, Conn., 30 Dec, 1910. *Gettysburg. Bijou Theatre, Boston, 3 Jan., 1912.
- Sam Average. Toy Theatre, Boston, 26 Feb., 19 12. *Yankee Fantasies.
Published 1912. *Chuck. Ohio State Normal College, 17 July, 1912. ♦To- morrow. Little Theatre, Philadelphia, 31 Oct., 1913. Published 1912. *A Thousand Years Ago. Shubert Theatre, i Dec, 1913 (Henry E. Dixey). Pubhshed 1914. *The Antick. Bandbox Theatre, 4 Oct., 1915 (Washington Square Players). *George Washington, the Man Who Made Us. Theatre de Vieux Colombier, 17 Feb., 1918 (M. Copeau). Masques and Pageants: St. Gaudens Masque Prologue. Cornish, N. H., 20 June, 1905. Gloucester Pageant (The Canterbury Pilgrims). Gloucester, Mass., 3 Aug., 1909. Pittsburgh Pageant (A Masque of Labor). Pittsburgh, 4 July, 1910. Projected. *Sanctuary (A Bird Masque). Meriden, N. H., 12 Sept., 1913. Pubhshed 1914. *St. Louis (A Civic Masque). St. Louis, 28 May, 1914. Pubhshed 1914. *The New Citizenship (A Civic Ritual). NewYorkCity, i4Feb., 1916. *Caliban (A Community Masque). TheNew York Shakespeare Tercentenary. Stadium of the College of the City of New York, 25 May, 1916. Pubhshed 1916. *The Evergreen Tree (A Christmas Masque). The Little Country Theatre, State Agricultural Col- lege, Fargo, N. D., 15 Dec, 1918. Operas: *Sindbad the Sailor. Written, 191 1. Music by Frederick S. Con- verse. *The Immigrants. Written 1912. Music by Frederick S. Converse. Published 19 1 5. *The Canterbury Pilgrims. Music by Reginald DeKoven. New York Metropolitan Opera House, Mar., 1917. *Rip Van Winkle. Music by Reginald de Koven. Chicago Opera Company, 1919-1920. See Moses, M. J. The American Dramatist. Chap. viii. MacKaye, Steele (i 842-1 894). Monaldi (With Francis Durivage). St. James Theatre, 8 Jan., 1872. Marriage (Adapted from the French of Octave Feu- illet's Juhe). St. James Theatre, 12 Feb., 1872. A Radical Fool. Written 1 873-74. Unproduced. Arkwright's Wife (In collaboration with Tom Taylor). Theatre Royal, Leeds, England, 7 July, 1873 (Helen Barry). Silas Mamer. (George Eliot's novel) . Written 1 873 ; unproduced. Jealousy (In collaboration with Charles Reade). Written 1873-74; unproduced. Rose Michel (Based on French of Ernest Blum, from Victor Hugo). Union Square Theatre, 23 Nov., 1875 (Rose Eytinge). Queen and Woman (In collaboration with J. V. Pritchard). Brooklyn, 14 Feb., 1876 (Kate Claxton). Twins (In collabo- ration with A. C. Wheeler). Wallack's Theatre, 12 Apr., 1876 (Lester Wallack). Won at Last. Wallack's Theatre, 10 Dec, 1877 (H.J. Montague). tThrough the Dark. Fifth Avenue Theatre, 10 Mar., 1879. ttAn Iron Will. Low's Opera House, Providence, R. I., 27 Oct., 1879 (EfEe EUsler). ftHazel Kirke. Madison Square Theatre, 4 Feb., 1880 (Effie Ellsler). A Fool's
