good pastry; that, in spite of her intercourse with male vassals, she was no Charles Genevieve Louise Auguste Timothé Eon de Beaumont,[1] but a smooth, fair-haired, white-capped dove; that she sought more to please her own sex than ours; that she showed a melting heart, not previously borrowed from the Circulating Library, in tears, for which in her innocence she rather took shame than credit.—At the very first cheapening, I should, on these grounds, have been out with my heart.—Had I fully reflected, Quintus! that I knew her as myself; that her hands and mine (to wit, had I been thou) had both been guided by the same Senior to Latin penmanship; that we two, when little children, had kissed each other before the glass, to see whether the two image-children would do it likewise in the mirror; that often we had put hands of both sexes into the same muff, and there played with them in secret; had I, lastly, considered that we were here standing before the glass-house, now splendent in the enamel of twilight, and that on the cold panes of this glass-house we two (she within, I without) had often pressed our warm cheeks together, parted only by the thickness of the glass,—then had I taken this poor gentle soul, pressed asunder by Fate, and seeing, amid her thunder-clouds, no higher elevation to part them and protect her than the grave, and had drawn her to my own soul, and warmed her on my heart, and encompassed her about with my eyes.
In truth, the Quintus would have done so too, had not the above-mentioned nobler thought, which I yet disclose not, kept him back. Softened, without knowing the cause,—(accordingly he gave his mother a kiss,)—and blessed without having had a literary conversation; and dismissed
- ↑ See Schmelzle's Journey, p. 289.—Ed.
