Conquest of Mexico
The gardens were intersected by a canal communicating with the lake of Tezcuco, and of sufficient size for barges to enter from the latter. But the most elaborate piece of work was a huge reservoir of stone, filled to a considerable height with water, well supplied with different sorts of fish. This basin was sixteen hundred paces in circumference, and was surrounded by a walk, made also of stone, wide enough for four persons to go abreast. The sides were curiously sculptured, and a flight of steps led to the water below, which fed the aqueducts above noticed, or, collected into fountains, diffused a perpetual moisture.
Such are the accounts transmitted of these celebrated gardens, at a period when similar horticultural establishments were unknown in Europe;1 and we might well doubt their existence in this semi-civilised land, were it not a matter of such notoriety at the time, and so explicitly attested by the invaders. But a generation had scarcely passed after the Conquest before a sad change came over these scenes so beautiful. The town itself was deserted, and the shore of the lake was strewed with the wreck of buildings which once were its ornament and its glory. The gardens shared the fate of the city. The retreating waters withdrew the means of nourishment, converting the flourishing plains into a foul and unsightly morass, the haunt of loathsome reptiles; and the water-fowl built her nest in what had once been the palaces of princes!
In the city of Iztapalapan, Cortés took up his quarters for the night. We may imagine what a crowd of ideas must have pressed on the mind of the Conqueror, as, surrounded by these evidences of civilisation, he prepared, with his handful of followers, to enter the capital of a monarch, who, as he had abundant reason to know, regarded him with distrust and aversion. This capital was now but a few miles distant, distinctly visible from Iztapalapan. And as its long lines of glittering edifices, struck by the rays of the evening sun, trembled on the dark blue waters of the lake, it looked like a thing of fairy creation, rather than the work of mortal hands. Into this city of enchantment Cortés prepared to make his entry on the following morning.2
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