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Residence in to Mexico

voices rose upon the air. They could distinctly trace the symmetrical plan of the city, with its principal avenues issuing, as it were, from the four gates of the coatepantli; and connecting themselves with the causeways, which formed the grand entrances to the capital. This regular and beautiful arrangement was imitated in many of the inferior towns, where the great roads converged towards the chief teocalli, or cathedral, as to a common focus. They could discern the insular position of the metropolis, bathed on all sides by the salt floods of the Tezcuco, and in the distance the clear fresh waters of the Chalco; far beyond stretched a wide prospect of fields and waving woods, with the burnished walls of many a lofty temple rising high above the trees, and crowning the distant hilltops. The view reached in an unbroken line to the very base of the circular range of mountains, whose frosty peaks glittered as if touched with fire in the morning ray; while long, dark wreaths of vapour, rolling up from the hoary head of Popocatepetl, told that the destroying element was, indeed, at work in the bosom of the beautiful valley.

Cortés was filled with admiration at this grand and glorious spectacle, and gave utterance to his feelings in animated language to the emperor, the lord of these flourishing domains. His thoughts, however, soon took another direction; and, turning to father Olmedo, who stood by his side, he suggested that the area would afford a most conspicuous position for the Christian Cross, if Montezuma would but allow it to be planted there. But the discreet ecclesiastic, with the good sense which on these occasions seems to have been so lamentably deficient in his commander, reminded him that such a request, at present, would be exceedingly ill-timed, as the Indian monarch had shown no dispositions as yet favourable to Christianity.

Cortés then requested Montezuma to allow him to enter the sanctuaries, and behold the shrines of his gods. To this the latter, after a short conference with the priests, assented, and conducted the Spaniards into the building. They found themselves in a spacious compartment incrusted on the sides with stucco, on which various figures were sculptured, representing the Mexican calendar, perhaps, the priestly ritual. At one end of the saloon was a recess with a roof of timber richly carved and gilt. Before the altar in this sanctuary stood the colossal image of Huitzilopotchli, the tutelary deity and war-god of the Aztecs. His countenance was distorted into hideous

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