THE COUNT OF MONTE-CRISTO.
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going together, while the addition of a third, in the person of her mother's admitted lover, enabled Mademoiselle Danglars to defy all remarks.
The curtain rose, as usual, to an almost empty house, it being one
of the customs of Parisian fashion never to appear at the opera until after the commencement, so that the first act is generally played without the slightest attention being paid to it, that part of the audience already assembled being too much occupied in observing the fresh arrivals,