THE TECHNIQUE OF FORM
chapter; but it is so extremely important to the individual writer, and a miscomprehension of it has led so many beginners astray, that a certain amount of repetition seems justifiable, especially as it paves the way to another thought of some importance.
The greatest mistake that a young writer can make is that of thinking of ideas as being in any sense a lot of square pegs that must not be placed in round holes, or vice versa. An idea is not foreordained to any exclusive appropriation by any one artistic form; it is not inevitably the beginning of a sonnet or of a four-act drama, any more than a ball of yarn is necessarily destined, as it comes from the spinning-wheel, either for an afghan or a pair of stockings. Ideas are the raw material of literature; what they are to be worked into, depends not upon the ideas themselves, but upon the individual author's bent of mind, the way in
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