THE INBORN TALENT
delay, before you scatter futile ink over another sheet of wasted paper. And it is not just a question of having or not having the creative instinct, but of having it in sufficient degree to make its development really worth while. For the Inborn Talent in a writer may be compared to the grade of ore in a mine—the question is not simply whether there is any precious metal there at all, but whether it is present in paying quantities. It is well to find out, if you can, just how richly your talent will assay, and then work it accordingly.
But, you may retort, how is any one to find out whether he has talent? Who is to be the judge? How can the author himself or any one else know surely whether repeated rejections through a course of months mean hopeless mediocrity or the handicap of crude methods—whether improvement is a matter of
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