what drew the man to step out under the sky was the cottage-window over the wall.
The lattice was pushed back and the room inside was brightly lit. But between him and the lamp a white sheet had been stretched right across the window; and on this sheet two quick hands were weaving all kinds of clever shadows, shaping them, moving them, or reshaping them with the speed of summer lightning.
It was certainly a remarkable performance. The shadows took the forms of rabbits, swans, foxes, elephants, fairies, sailors with wooden legs, old women who smoked pipes, ballet-girls who pirouetted, anglers who bobbed for fish, twirling harlequins, and the profiles of eminent statesmen--all made with two hands and, at the most, the help of a tiny stick or piece of string. They danced and capered, grew large and then small, with such profusion of odd turns and changes that the flageolet-player began to giggle as he wondered. He remarked that the hands, whenever they were disentwined for a moment, appeared to be very small and plump.
In about ten minutes the display ceased, and
