I decidedly believe that he did not. The same statement occurs in the inscription on his likeness in the National Portrait Gallery. Polidori's father had foreseen, in the Byronic scheme, disappointment as only too likely, and he opposed the project, but without success. To be the daily companion and intimate of so great a man as Byron, to visit foreign scenes in his society, to travel into his own father's native land, which he regarded with a feeling of enthusiasm, and with whose language he was naturally well acquainted, to be thus launched upon a career promising the utmost development and satisfaction to his literary as well as professional enterprise—all this may have seemed like the realization of a dream almost too good to be true. To crown all, Mr. Murray, Byron's publisher, had offered Polidori no less a sum than £500 (or 500 guineas) for an account of his forthcoming tour. Polidori therefore began to keep a Diary, heading it Journal of a Journey through Flanders etc., from April 24, 1816, to; and the blank was eventually filled in with the date "December 28, 1816"; it should rather stand "December 30." Portions of the Diary are written with some detail, and a perceptible aim at literary effect—Murray's £500 being manifestly in view; in other instances the jottings are slight, and merely enough for guiding the memory. On this footing the
