figure bony and angular. His face was dark as that of a Moor. During the reign of Austrian despotism he was admirably calculated for a spy. As to his religion, it was about on a par with that of I'Abate Casti. At Pisa, il Signore Professore was the title by which he was generally known. He lost [his professorship] by an irresistible bon mot. During one of his midnight orgies, which he was in the habit of celebrating with some of the most dissolute of the students, he was interrogated, in the darkness, by the patrole in the streets of Pisa as to who and what he was,—to which questioning he gave the following reply: 'Son un uomo pubblico, in una strada pubblica, con una donna pubblica.' His epigrams were sanglants, and he gave sobriquets the most happy for those who offended him. His talent was conversation—a conversation full of repartee and sparkling with wit; and his information (he was a man of profound erudition, vast memory, and first-rate talent) made him almost oracular. He was a mezzano, cicerone, conoscitore, dilettante, and I might add ruffiano."[1]]
December 21.—Went in the evening to the Countess Mastrani's. Ices, iced people, prepared poetry, music. Went to the theatre, in the days past, several times. Saw Goldoni's Bugiardo, with Harlequin etc.
- ↑ Rufifiano does not correspond to our word "ruffian," but to "pimp" or "go-between."
