had vested its fullest green—for that was an old custom. Churchill owed, then, only to a common hand what the pride of a friend refused—the safety of his burial-place. Wilkes only sought the gratification of his vanity. While he consigned his friend's last relics to the keeping of a tablet, he consigned his own pride in such a friend to the keeping of a column in his own grounds. Yet I do not know whether the scene was not more moving, though no vainly pompous inscription pointed out the spot where this poet was buried.
There were two authors; one, the most distinguished of his age; another, whose name is rising rapidly; (and a third, ambitious for literary distinction). What a lesson it was for them when, having asked the sexton if he knew why so many came to see this tomb, he said: "I cannot tell; I had not the burying of him."
[Byron, after settling in the Villa Diodati near Geneva, recorded this same incident in a composition entitled Churchill's Grave, a Fact Literally Rendered. He wrote a memorandum to say that in this poem he had intentionally imitated the style of Wordsworth, "its beauties and its defects." The composition therefore is essentially un-Byronic in method, and perhaps Wordsworth would not have recognized in it many of his own "beauties." The Hues are as follows—
