Campavella could apply: there is a fine picture by him of Ovid and Corinna.]
Many pictures were extremely good, especially painting of individuals. Kaft was a native of this town, who painted in oil before oil-painting was known. Saw some Poussins, Claude Lorraines. Some moderate. A Tintoretto of Campavella beautiful: colouring and drawing strong and expressive. A Rembrandt and a Teniers, etc. A master of Rubens. A copy in colours from the drawing of Raphael by one of his disciples. Cologne has stamped more coins than some empires, and has coined twenty-six kinds of gold. He had made drawings of them, but the revolution stopped it. The revolutionary Gauls, he said with a tear in his eye, had destroyed many very valuable relics of Cologne; and, pointing to a leaf of a missal with another tear, he said: "Many like this once adorned our churches: this is all." He had the original manuscript of Albert le Grand, History of Animals; Titian's four designs of the Caesars at Polenham, with his own handwriting; the Albert Durer's sketch of Christ's head which belonged to Charles II; and a painting of Albert Durer's Master.[1] He wishes for a copy of any of Caxton's printing in England.
- ↑ Only an initial is written, "M": but I suppose "Master"—i.e. Michael Wohlgemuth—is meant.
