means of livelihood, but since I was sixteen years of age my whole time has been engrossed in drawing and painting. Were it not for my mother's invincible objection to parting with me, even for the shortest space of time, I should long ago have come to Europe to work and to study in the regular schools. As it was I made shift to do my best in Australia, and wandered about pretty freely, struggling with the difficulties of moulding into artistic form the curious Australian landscape. There is an odd, desolate, uncanny note in characteristic Australian scenery, which most people are apt to regard as of little value for the purposes of the landscape painter, but with which I have always been convinced that an able painter could do great things. So I did my feeble best.
Two years ago my mother died. My age was then twenty-eight, and I was left without a friend in the world, and, so far as I know, without a relative. I soon found it impossible any longer to inhabit the large house by the Lane Cove river. It was beyond my simple needs, and the whole thing was an embarrassment, to say nothing of the associations of the house with my dead mother, which exercised
