her quick French hands. Eliza's fat red palms followed heavily, and then someone else was clapping, six or seven people, and their clapping made a dull padded sound. Nine faces instead of two were turned towards the stage, and seven out of the nine were painted, pointed paper faces. And every hand and every face was alive. The applause grew louder as Mabel glided forward, and as she paused and looked at the audience her unstudied pose of horror and amazement drew forth applause louder still; but it was not loud enough to drown the shrieks of Mademoiselle and Eliza as they rushed from the room, knocking chairs over and crushing each other in the doorway. Two distant doors banged, Mademoiselle's door and Eliza's door.
"Curtain! curtain! quick!" cried Beauty-Mabel, in a voice that wasn't Mabel's or the Beauty's. "Jerry—those things have come alive. Oh, whatever shall we do?"
Gerald in his hearthrugs leaped to his feet. Again that flat padded applause marked the swish of cloths on clothes-line as Jimmy and Kathleen drew the curtains.
"What's up?" they asked as they drew.
"You've done it this time!" said Gerald to the pink, perspiring Mabel. "Oh, bother these strings!"
"Can't you burst them? I've done it?" retorted Mabel. "I like that!"
"More than I do," said Gerald.
"Oh, it's all right," said Mabel. "Come on.
