Introduction
The Śuka Saptati, seventy tales of a parrot, are quite characteristic of Eastern story. The peg on which they hang is a certain Prabhâvatî. This lady's husband, whose name is Madana, has gone on a long journey. He has, however, left her his parrot, a bird which appears to be under a charm. Prabhâvatî, after her husband has been absent some little time, begins to feel rather dull, and her attendants, or friends, suggest that she had better look out for some admirer to console her during his absence. She accordingly is preparing to start on this errand, when the parrot suddenly finds his voice, and remarks very strongly on Prabhâvatî's disreputable intentions. Prabhâvatî makes up her mind to have the parrot's neck wrung, but before actually departing, and ordering the bloodthirsty deed to be carried out, she reflects that after all it is only a bird speaking, and tells him that she means to go in spite of his well-meant advice. This starts the parrot off, and he bids her go by all means, if she is as clever as some one whom he knows. Prab-
