THE COTTAGE HOMES OF ENGLAND.
(Leisure Hour, 1870.)
I.
With their gable roofs of cosy thatch or of red tiles bright with moss and lichen, with their ornamented chimneys and walls of plaster laced and interlaced with heavy beams, the Cottage Homes of England, peeping out from the green lanes of Kent, or fringing the Surrey commons, or nestling in the wooded vales of Sussex, are always picturesque. They are, moreover, the one form of human habitation always in harmony with the scenery around them. In Yorkshire and in Wales their aspect is bleak as the moor or the mountain side; in Cumberland and in Devonshire they are alike built of stone; but in the north their architecture is in keeping with the stern form Nature presents among the Cumbrian hills; while in the south, covered with ivy and hidden amongst gardens and orchards, each little cot appears a poem in itself. This harmony is partly due to the fact that the same soil which produces the natural scenery produces the material of which the cottages are built. In the north wood is scarce, stone plentiful: hence the stone villages of Lancashire and Yorkshire. In the pottery districts and the midland counties clay is abundant; here, therefore, brick cottages are the rule. In Westmoreland the red sandstone is used; in Kent the ragstone, in Lincolnshire the Ancaster stone, in Cornwall granite, in Essex and Herts flints from the chalk hills, in Hampshire mud mixed with pebbles, in Norfolk and Suffolk lumps of clay mixed with straw.
Picturesque and harmonious from the artist's point of view, these cottages are in most other respects a scandal to England, and to write as Mrs Hemans did concerning them an unconscious satire.
