So I gets him down a side way on a board walk where the attractions were some less violent. At a little six by eight stall Tobin halts, with a more human look in his eye.
“’Tis here,” says he, “I will be diverted. I’ll have the palm of me hand investigated by the wonderful palmist of the Nile, and see if what is to be will be.”
Tobin was a believer in signs and the unnatural in nature. He possessed illegal convictions in his mind along the subjects of black cats, lucky numbers, and the weather predictions in the papers.
We went into the enchanted chicken coop, which was fixed mysterious with red cloth and pictures of hands with lines crossing ’em like a railroad centre. The sign over the door says it is Madame Zozo the Egyptian Palmist. There was a fat woman inside in a red jumper with pothooks and beasties embroidered upon it. Tobin gives her ten cents and extends one of his hands. She lifts Tobin’s hand, which is own brother to the hoof of a drayhorse, and examines it to see whether ’tis a stone in the frog or a cast shoe he has come for.
“Man,” says this Madame Zozo, “the line of your fate shows———”
“’Tis not me foot at all,” says Tobin, interrupt-
[4]
