from E. Rushmore Coglan by the third corner to our table. While Coglan was describing to me the topography along the Siberian Railway the orchestra glided into a medley. The concluding air was “Dixie,” and as the exhilarating notes tumbled forth they were almost overpowered by a great clapping of hands from almost every table.
It is worth a paragraph to say that this remarkable scene can be witnessed every evening in numerous cafés in the City of New York. Tons of brew have been consumed over theories to account for it. Some have conjectured hastily that all Southerners in town hie themselves to cafés at nightfall. This applause of the “rebel” air in a Northern city does puzzle a little; but it is not insolvable. The war with Spain, many years’ generous mint and watermelon crops, a few long-shot winners at the New Orleans race-track, and the brilliant banquets given by the Indiana and Kansas citizens who compose the North Carolina Society have made the South rather a “fad” in Manhattan. Your manicure will lisp softly that your left forefinger reminds her so much of a gentleman’s in Richmond, Va. Oh, certainly; but many a lady has to work now—the war, you know.
When “Dixie” was being played a dark-haired
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