parts its honeyed flavour, until at last almost all the words which are applied to the vulgar man survive finally as expressions for "unhappy," "worthy of pity" (compare δειλός, δείλαιος, πονηρός, μοχθηρός; the latter two names really denoting the vulgar man as labour-slave and beast of burden)—and how, conversely, "bad," "low," "unhappy" have never ceased to ring in the Greek ear with a tone in which "unhappy" is the predominant note: this is a heritage of the old noble aristocratic morality, which remains true to itself even in contempt (let philologists remember the sense in which ὀΐζυρός, ἄνολβος, τλήμων, δυστυχεῖν, ξυμφορά used to be employed. The "well-born" simply felt themselves the "happy"; they did not have to manufacture their happiness artificially through looking at their enemies, or in cases to talk and lie themselves into happiness (as is the custom with all resentful men); and similarly, complete men as they were, exuberant with strength, and consequently necessarily energetic, they were too wise to dissociate happiness from action—activity becomes in their minds necessarily counted as happiness (that is the etymology of εὖ πράττειν)—all in sharp contrast to the "happiness" of the weak and the oppressed, with their festering venom and malignity, among whom happiness appears essentially as a narcotic, a deadening, a quietude, a peace, a "Sabbath," an enervation of the mind and relaxation of the limbs,—in short, a purely passive phenomenon. While the aristocratic man lived in confidence and openness with himself (γενναῖος, "noble-born," emphasises the nuance "sincere," and perhaps also "naïf"), the resentful man, on the other hand, is neither sincere nor naïf, nor
