beyond death,—yes, eternal life is necessary so that one can make up for ever for that earthly life "in faith," "in love," "in hope." Make up for what? Make up by what? Dante, as it seems to me, made a crass mistake when with awe-inspiring ingenuity he placed that inscription over the gate of his hell, "Me too made eternal love": at any rate the following inscription would have a much better right to stand over the gate of the Christian Paradise and its "eternal blessedness"—"Me too made eternal hate"—granted of course that a truth may rightly stand over the gate to a lie! For what is the blessedness of that Paradise? Possibly we could quickly surmise it; but it is better that it should be explicitly attested by an authority who in such matters is not to be disparaged, Thomas of Aquinas, the great teacher and saint. "Beati in regno celesti," says he, as gently as a lamb, "videbunt paenas damnatorum, ut beatitudo illis magis complaceat." Or if we wish to hear a stronger tone, a word from the mouth of a triumphant father of the Church, who warned his disciples against the cruel ecstasies of the public spectacles—But why? Faith offers us much more,—says he, de Spectac, c. 29 ss.,—something much stronger; thanks to the redemption, joys of quite another kind stand at our disposal; instead of athletes we have our martyrs; we wish for blood, well, we have the blood of Christ—but what then awaits us on the day of his return, of his triumph? And then does he proceed, does this enraptured visionary: "at enim supersunt alia spectacula, ille ultimas et perpetuus judicii dies, ille nationibus insperatus, ille derisus, cum tanta sceculi vetustas et tot ejus nativitates uno igne haurientur. Quae