Islands, the king, personating the god, uttered the responses of the oracle from his concealment in a frame of wicker-work. But in the southern islands of the Pacific the god "frequently entered the priest, who, inflated as it were with the divinity, ceased to act or speak as a voluntary agent, but moved and spoke as entirely under supernatural influence. In this respect there was a striking resemblance between the rude oracles of the Polynesians, and those of the celebrated nations of ancient Greece. As soon as the god was supposed to have entered the priest, the latter became violently agitated, and worked himself up to the highest pitch of apparent frenzy, the muscles of the limbs seemed convulsed, the body swelled, the countenance became terrific, the features distorted, and the eyes wild and strained. In this state he often rolled on the earth, foaming at the mouth, as if labouring under the influence of the divinity by whom he was possessed, and, in shrill cries, and violent and often indistinct sounds, revealed the will of the god. The priests, who were attending, and versed in the mysteries, received, and reported to the people, the declarations which had been thus received. When the priest had uttered the response of the oracle, the violent paroxysm gradually subsided, and comparative composure ensued. The god did not, however, always leave him as soon as the communication had been made. Sometimes the same taura, or priest, continued for two or three days possessed by the spirit or deity; a piece of a native cloth, of a peculiar kind, worn round one arm, was an indication of inspiration, or of the indwelling of the god with the individual who wore it. The acts of the man during this period were considered as those of the god, and hence the greatest attention was paid to his expressions, and the whole of his deportment. . . . When uruhia (under the inspiration of the spirit), the priest was always considered as sacred as the god, and was called, during this period, atua, god, though at other times only denominated taura or priest."
But examples of such temporary inspiration are so common in every part of the world and are now so familiar through books on ethnology that it is needless to multiply illustrations of the general principle. It may be well, however, to refer to two particular modes of producing temporary inspiration, because they are perhaps less known than some others, and because we shall have occasion to refer to them later on. One of these modes of producing inspiration is by sucking the fresh blood of a sacrificed victim. In the temple of Apollo Diradiotes at Argos, a lamb was sacrificed by night once a month; a woman, who had to observe a rule of chastity, tasted the blood of the lamb, and thus being inspired by the god she prophesied or divined. At Aegira in Achaia the priestess of Earth drank the fresh blood of a bull before she descended into the cave to prophesy. Similarly among the Kuruvikkarans, a class of bird-catchers and beggars in Southern India, the goddess Kali is believed to descend upon the priest, and he gives oracular replies after sucking the blood which streams from the cut throat of a goat. At a festival of the Alfoors of Minahassa.
