THE PRINCE
claimed with a short laugh that resembled, as for good reasons, his own of a minute before. "I wouldn't in any case have let her tell me what would have been dreadful to me. For such wounds and shames are dreadful: at least," she added, catching herself up, "I suppose they are; for what, as I say, do I know of them? I don't want to know!"—she spoke quite with vehemence. "There are things that are sacred—whether they're joys or pains. But one can always, for safety, be kind," she kept on; "one feels when that's right."
She had got up with these last words; she stood there before him with that particular suggestion in her aspect to which even the long habit of their life together hadn't closed his sense, kept sharp, year after year, by the collation of types and signs, the comparison of fine object with fine object, of one degree of finish, of one form of the exquisite with another—the appearance of some slight slim draped "antique" of Vatican or Capitoline halls, late and refined, rare as a note and immortal as a link, set in motion by the miraculous infusion of a modern impulse and yet, for all the sudden freedom of folds and footsteps forsaken after centuries by their pedestal, keeping still the quality, the perfect felicity, of the statue; the blurred absent eyes, the smoothed elegant nameless head, the impersonal flit of a creature lost in an alien age and passing as an image in worn relief round and round a precious vase. She had always had odd moments of striking him, daughter of his very own though she was, as a figure thus simplified, "generalised" in its grace, a figure with which his human connexion was
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