THE GOLDEN BOWL
They might in short have represented any mystery they would; the point being predominantly that the key to the mystery, the key that could wind and unwind it without a snap of the spring, was there in her pocket—or rather, no doubt, clasped at this crisis in her hand and pressed, as she walked back and forth, to her breast. She walked to the end and far out of the light; she returned and saw the others still where she had left them; she passed round the house and looked into the drawing-room, lighted also, but empty now, and seeming to speak the more in its own voice of all the possibilities she controlled. Spacious and splendid, like a stage again awaiting a drama, it was a scene she might people, by the press of her spring, either with serenities and dignities and decencies, or with terrors and shames and ruins, things as ugly as those formless fragments of her golden bowl she was trying so hard to pick up.
She continued to walk and continued to pause; she stopped afresh for the look into the smoking-room, and by this time—it was as if the recognition had of itself arrested her—she saw as in a picture, with the temptation she had fled from quite extinct, why it was she had been able to give herself from the first so little to the vulgar heat of her wrong. She might fairly, as she watched them, have missed it as a lost thing; have yearned for it, for the straight vindictive view, the rights of resentment, the rages of jealousy, the protests of passion, as for something she had been cheated of not least: a range of feelings which for many women would have meant so much, but which for her husband's wife, for her father's daughter, figured nothing
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