Town, they were still entertained at Cypress Hill. The legend of John Shane attained the most fantastic proportions; it became a part of the Town's tradition. The words which Stepan Krylenko, the tow-headed Ukrainian, shouted through the wrought iron gates at the terrified Irene were simply an echo of certain grotesque stories.
After the death of her husband, Julia Shane sold off piecemeal at prodigious prices the land in the marshes traversed by the railroads. Factory after factory was erected. Some built farming implements, some manufactured wooden ware, but it was steel which occupied most of the district. Rolling mills came in and blast furnaces raised their bleak towers until Shane's Castle was no longer an island surrounded by marshes but by great furnaces, steel sheds and a glistening maze of railway tracks. New families grew wealthy and came into prominence, the Harrisons among them. Some of the Shane farm land was sold, but out of it the widow kept a wide strip bordering Main Street where she erected buildings which brought her fat rents. The money that remained she invested shrewdly so that it increased at a startling rate. She became a rich woman and the legend of Shane's Castle grew, spurred on by envy.
To the foreigners who lived in the hovels at the gate of Cypress Hill, the house and the park became the symbols of an oppressing wealth, of a crude relentless power no less savage than the old world which they had deserted for this new one. It was true that Julia Shane had nothing to do with the mills and furnaces; her money came from the land she owned. The mills were owned by the Harrisons and Judge Weissman; but Shane's Castle became an easy symbol upon which to fix a hatred. Its fading grandeur arose in the very midst of the hot and overcrowded kennels of the workers.
