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Page:The Happy End (1919).pdf/103

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"Look, Bembo!" Anna Mantegazza suddenly exclaimed. "No; there—approaching! Who's that singular person in the hired carriage?"

Her interest was so roused that Lavinia, once more forgetful of Gheta's sleeves, leaned over her sister's shoulder, and immediately distinguished the object of their curiosity.

An open cab was moving slowly, almost directly under the window, with a single patron—a slender man, sitting rigidly erect, in a short, black shell jacket, open upon white linen, a long black tie, and a soft narrow scarlet sash. He wore a wide-brimmed stiff felt hat slanted over a thin countenance burned by the sun as dark as green bronze; his face was as immobile as metal, too; it bore, as if permanently molded, an expression of excessive contemptuous pride.

Bembo's voice rose in a babble of excited information.

"'Singular?' Why, that's one of the most interesting men alive. It's Abrego y Mochales, the greatest bull-fighter in existence, the Flower of Spain. I've seen him in the ring and at San Sebastian with the King; and I can assure you that one was hardly more important than the other. He's idolized by every one in Spain and South America; women of all classes fall over each other with declarations and gifts."

As if he had heard the pronouncement of his name the man in the cab turned sharply and looked up. Gheta was leaning out, and his gaze fastened upon her with a sudden and extraordinary intensity. Lavinia saw that her sister, without dissembling her interest, sat forward, statuesque and lovely. It seemed to the former that the cab was an intolerable time passing; she wished to draw