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Page:The Happy End (1919).pdf/161

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I

HE was the younger of two brothers, in his sixteenth year; and he had his father's eyes—a tender and idyllic blue. There, however, the obvious resemblance ended. The elder's azure gaze was set in a face scarred and riven by hardship, debauch and disease; he had been—before he had inevitably returned to the mountains where he was born—a brakeman in the lowest stratum of the corruption of small cities on big railroads; and his thin stooped body, his gaunt head and uncertain hands, all bore the stamp of ruinous years. But in the midst of this his eyes, like David's, retained their singularly tranquil color of sweetness and innocence.

David was the youngest, the freshest thing imaginable; he was overtall and gawky, his cheeks were as delicately rosy as apple blossoms, and his smile was an epitome of ingenuous interest and frank wonder. It was as if some quality of especial fineness, lingering unspotted in Hunter Kinemon, had found complete expression in his son David. A great deal of this certainly was due to his mother, a thick solid woman, who retained more than a trace of girlish beauty when she stood back, flushed from the heat of cooking, or, her bright eyes snapping, tramped with heavy pails from the milking shed on a winter morning.

Both the Kinemon boys were engaging. Allen, almost twenty-one, was, of course, the more conspicuous; he was