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Page:The Happy End (1919).pdf/186

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curs! His grip tightened on the reins and the team broke into a clattering trot, speedily leaving the Barren behind. But the day had been robbed of its sparkle, his position of its pleasurable pride. He saw again his father's body on the earthen floor of the stable, the bridle in his stiff fingers; Allen carried into the house. And he, David Kinemon, had had to step back, like a coward or a woman, and let the Hatburns triumph.

The stage drew up before the Beaulings post-office in the middle of the afternoon. David delivered the mail bags, and then led the team back to a stable on the grassy verge of the houses clustered at the end of tracks laid precariously over a green plain to a boxlike station. Beaulings had a short row of unpainted two-story structures, the single street cut into deep muddy scars; stores with small dusty windows; eating houses elevated on piles; an insignificant mission chapel with a tar-papered roof; and a number of obviously masked depots for the illicit sale of liquor.

A hotel, neatly painted white and green, stood detached from the main activity. There, washing his face in a tin basin on a back porch, David had his fried supper, sat for a while outside in the gathering dusk, gazing at the crude-oil flares, the passing dark figures beyond, the still obscured immensity of mountain and forest. And then he went up to a pine sealed room, like the heated interior of a packing box, where he partly undressed for bed.