Jump to content

Page:The Happy End (1919).pdf/190

From Wikisource
This page has been proofread, but needs to be validated.

ward. A swift frown scarred his brow, and he turned and transferred the revolver to a pocket in his trousers.

The approach to the house was rough with stones and muddy clumps of grass. A track, he saw, circled the dwelling to the back; but he walked steadily and directly up to the shallow portico between windows with hanging, partly slatted shutters. The house had been painted dark brown a long while before; the paint had weathered and blistered into a depressing harmony with the broken and mossy shingles of the roof, the rust-eaten and sagging gutters festooning the ragged eaves.

David proceeded up the steps, hesitated, and then, his mouth firm and hand steady, knocked. He waited for an apparently interminable space, and then knocked again, more sharply. Now he heard voices within. He waited rigidly for steps to approach, the door to open; but in vain. They had heard, but chose to ignore his summons; and a swift cold anger mounted in him. He could follow the path round to the back; but, he told himself, he—David Kinemon—wouldn't walk to the Hatburns' kitchen door. They should meet him at the front. He beat again on the scarred wood, waited; and then, in an irrepressible flare of temper, kicked the door open.

He was conscious of a slight gasping surprise at the dark moldy-smelling hall open before him. A narrow bare stairway mounted above, with a passage at one side, and on each hand entrances were shut on farther interiors. The scraping of a chair, talking came from the left; the door, he saw, was not latched. He pushed it open and entered. There was a movement in the room