selle—the name had a trick of hanging in the memory; it was astonishingly easy to repeat. He tried it aloud, speaking with a sudden emphasis that startled him. The name came back to him from the bare walls of his room like an appeal. Something within him stirred sharp as a knife. He rose with a deep breath, confused, as if some one else, unseen, had unexpectedly spoken.
His conscience, stirring again, projected the image of Hester, with her pinched glistening countenance, on his conjecturing. He resolutely addressed himself to the judgment of Rosemary Roselle's second paper, his lighter thoughts drowned in the ascending dark tide of his temperament It was called Our Waitress, and an instant antagonism for the entire South and its people swept over him.
He saw that the essay's subject was a negro, a slave; and all his impassioned detestation of the latter term possessed him. The essence of the Meikeljohns was a necessity for freedom, an almost bitter pride in the independence of their bodies. Their souls they held to be under the domination of a relentless Omnipotence, evolved, it might have been, from the obdurate and resplendent granite masses of the highland where they had first survived. These qualities gave to Elim Meikeljohn's political enmity for the South a fervor closely resembling fanaticism. Even now when, following South Carolina, six other states had seceded, he did not believe that war
