Jump to content

Page:The Happy End (1919).pdf/261

From Wikisource
This page has been proofread, but needs to be validated.

coming life and necessity, rose to the surface of his consciousness. Elim realized what had drawn, him to his present situation—it had, of course, been the memory of Rosemary Roselle. The days when he—an assistant to a professor of philosophy and letters—had read and marked her essays seemed to lie in another existence, infinitely remote. How would he excuse his presence, the calling of her name before the house? This was an inopportune—a fatal—moment for a man in the blue of the North to make his bow to a Richmond girl, in the midst of her wasted and burning place of home. He decided reluctantly that it would be best to say nothing of his connection with her academic labors, but to depart as soon as possible and without explanation of his first summons. . . . Rosemary Roselle—the name had clung persistently to his memory. It was probable that he would see her—once. That alone was extraordinary. He marveled at the grim humor of circumstance that had granted him such a wildly improbable wish, and at the same time made it humanly impossible for him to benefit from it.

VII

The leisurely progress of his thoughts was interrupted by hasty feet without; the bolt was shot back and his door flung open. It was the colored woman—the Indy of the essay—quivering with anger and fear.

"Capt'n," she exclaimed, gasping with her rapid accent, "you come right down to the dining room, and bring that big pistol of yours. There's two, two——" Words failed her. "Anyhow you shoot them! It's some of that