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Page:The Happy End (1919).pdf/79

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"If you ever see me looking like I might be Snow, go quiet," Lemuel advised. "That's all."

With clenched hands he abruptly departed. The cords of his neck were swollen and rigid; there was a haze before his eyes. He went up to the refuge of his daughter's room. She was lying still, breathing thickly, with a finger print of scarlet on each cheek.

She was so thin, so wasted, the bed and room so stripped of every comfort, that he dropped forward on his knees, his arms outflung across her body in an inarticulate prayer for faith, for strength and patience.

It was not much he wanted—only food for one child and help for a woman, and a grip on the devil tearing at him in the form of hatred.

He got only a temporary relief, for when he went down Bella and June Bowman were whispering together; he passed the door with his silent tread and saw their heads close. Bella was actually pretty.

An astonishing possibility occurred to him—perhaps Bella would go away with Bowman. An unbidden deep relief at such a prospect invaded him; how happy he could be with Flavilla. They would get a smaller house, which Flavilla would soon learn to keep for him; they would go to church and prayer meeting together, her soprano voice and his bass joined in the praise of the Lord, of the Almighty who raised the dead and his Son, who took the thief to glory.

This speculation was overcome by a troubled mind; both his innate pride in his wife as an institution of his honor, the feeling that he would uphold it at any cost, and his Christianity interrupted the vision of release. He