Along one of these narrow lanes, in the evening of the 7th of November, in the year 1628, Don Abbondio . . . curate of one of the towns alluded to above, was leisurely returning home from a walk, (our author does not mention the name of the town—two blanks already!) He was quietly repeating his office, and now and then, between one psalm and another, he would shut the breviary upon the fore-finger of his right hand, keeping it there for a mark; then, putting both his hands behind his back, the right (with the closed book) in the palm of the left, he pursued his way with downcast eyes, kicking, from time to time, towards the wall the flints which lay as stumbling-blocks in the path. Thus he gave more undisturbed audience to the idle thoughts which had come to tempt his spirit, while his lips repeated, of their own accord, his evening prayers. Escaping from these thoughts, he raised his eyes to the mountain which rose opposite; and mechanically gazed on the gleaming of the scarcely set sun, which, making its way through the clefts of the opposite mountain, was thrown upon the projecting peaks in large unequal masses of rose-coloured light. The breviary open again, and another portion recited, he reached a turn, where he always used to raise his eyes and look forward; and so he did to-day. After the turn, the road ran straight forward about sixty yards, and then divided into two lanes, Y fashion—the right hand path ascended towards the mountain, and led to the parsonage: the left branch descended through the valley to a torrent: and on this side the walls were not higher than about two feet. The inner walls of the two ways, instead of meeting so as to form an angle, ended in a little chapel, on which were depicted certain figures, long, waving, and terminating in a point. These, in the intention of the artist, and to the eyes of the neighbouring inhabitants, represented flames. Alternately with the flames were other figures—indescribable, meant for souls in purgatory, souls and flames of brick-colour on a grey ground enlivened with patches of the natural wall, where the plaster was gone. The curate, having turned the corner, and looked forward, as was his custom, towards the chapel, beheld an unexpected sight, and one he would not willingly have seen. Two men, one opposite the other, were stationed
